A D A M  S T R A U S

Adam Straus: Short Stories from a Long Island, Nohra Haime Gallery, New York, February 2006, exhibition catalogue.
Adam Straus: Small Memorials for a Great Loss, Nohra Haime Gallery, New York, February 2007, exhibition catalogue.
Adam Straus: Inspired by True Events, Nohra Haime Gallery, Art Chicago, New York, April 2007, exhibition brochure.
Adam Straus: Tick Tock Drip Drop…, Nohra Haime Gallery, New York, February 2008, exhibition catalogue.
Adcock, Craig. “Adam Straus: Ecological Landscapes,” Not Quite Utopia, Nohra Haime Gallery, New York, November 21- December 23, 1995,

     exhibition catalogue, illustrated.
Amy, Michael. Fleurs 1880-1020. Benrimon Contemporary, New York, May 6 – June 5, 2010, exhibition catalogue, p. 34-35, illustrated.
“Art Exhibits at OWCC,” Bay Beacon, Tallahassee, January 15, 2003.
Art in Embassies Program. “Adam Straus,” United States Embassy La Paz Bolivia, Washington, D.C., October 2007, exhibition catalogue,

     pages 16-17, illustrated.
“Artists & Galleries: Adam Straus,” Fine Art Connoisseur, April 2013, Vol. 10, Issue 2, p. 111, illustrated.
“Art times three,” Beacon Express, January 15, 2003, p. A12, illustrated.
Baum, Jane. “In The Gallery,” The Independent, The Hamptons, August 5, 2005.
Benchley, Amanda. "Adam Straus Works at the Intersection of Nature and Technology," Introspective Magazine, December 5, 2016, illustrated.

Bischoff, Dan. “Worlds of Wonder: Rethinking the Modern Landscape,” Sunday Star Ledger, Newark, April 23, 2000, Section 4, p. 1, illustrated.
Blakeley, George. The Gun as Image. Museum of Fine Arts, Florida State University, Tallahassee, February 21- March 29, 1997,

     exhibition catalogue, illustrated.
Bohlen, Avis T. Art in Embassies: Sofia, Embassy of the U.S.A., Sofia, Bulgaria, 1998, catalogue, illustrated.
Bonhams: Contemporary Art. New York, Tuesday, November 11, 2008, exhibition catalogue, p. 54, illustrated.
Bradford, Thomas. “1989 SAF/NEA Fellowships in Sculpture,” Artpapers, Atlanta, September-October, 1990.
Braff, Phyllis. “Flora”, The New York Times, Long Island Edition, August 9, 1998.
Bruns, Dave. “Straus Considers Himself a Campaign Alternative,” Tallahassee Democrat, Tallahassee, October 23 1988, pp. 1E & 2E.
Chesler, Suzanne. “High on Nature,” Detroit Jewish News, Detroit, April 14, 2005, illustrated.
Clark, Trinkett. Off the Beaten Track: Contemporary Mindscapes. Amherst, Mead Art  Museum, September 7 – December 18, 2003, p. 22,

     exhibition catalogue, illustrated.
Cohen, Mark Daniel. “The Visioning of the Loss”, Hyperion: On the Future of Aesthetics, New York, February 14, 2006,

     http://www.nietzschecircle.com/hyperion9.html.
Cohen, Nancy. On The Horizon, New Jersey Center for the Visual Arts, Summit, April 2-June 11, 2000, exhibition catalogue, illustrated.
Cohen, Ronny. Artists and Nature on Eastern Long Island:1940 to the Present. Spanierman Gallery at East Hampton, NY,

     July 21-September 5, 2005, exhibition catalogue.
Contemporary American Art, An Exhibition, United States Embassy, Seoul, 2002, exhibition catalogue,illustrated.
Cotterell, Bill. “Did Straus Drain Votes From Loser?” Tallahassee Democrat, November 11, 1988, p. 2A.
Cullen, J.W. “Artists Three,” Artpapers, Atlanta, Jan/Feb 1989, vol. 13, no. 1, p. 60.
De Neuvillate, Alfonso.  “Straus, Papetti, Milow: Visiones Deshumanizadas del Siglo XX,” Casas & Gente, Mexico, February, 2000, p.12,

     illustrated.
DeFuniak Herald, Florida, January 16, 2003, illustrated.
Dillon, Stephen “A 21st Century Painter Forges a Link Between Instagram and the Sublime,” Artsy Online Editorial, March 4, 2015.
     https://www.artsy.net/post/editorial-a-21st-century-painter-forges-a-link-between
Dreishpoon, Douglas. New York Realism - Past and Present. Japan: New York Realism- Past and Present, 1994, p. 153, exhibition catalogue,

     illustrated.
Drillis, Catherine. “New York Reviews: Adam Straus at Nohra Haime” Artnews, New York, January 1994, p.168, illustrated.
El Diario/La Prensa, New York, February 23, 2003, p. 20, illustrated.
Evans, Sara. “Art Review: Familiar Becomes Strange in the Works of Riverhead Artist Adam Straus,” North Fork Patch, October 14, 2010.
     http://northfork.patch.com/articles/art-review-familiar-becomes-strange-in-the-works-of-north-fork-artist-adam-straus#c
________. “Just In, The Artist: Adam Straus,” Vox Hamptons, Amagansett, NY, November-December 2008, p. 18, illustrated.
________. “Nature in Peril – The Art of Adam Straus,” Art of the Times, Palm Beach, Winter 2008, pp. 20-21, illustrated.
“Exposition: Adam Straus,” Le Journal, Marseilles, May-June 2002, illustrated.
Fellowships: Florida’s Finest 1988/89. Miami, FL: North Miami Center of Contemporary Art, 1989, exhibition catalogue.
Fineout, Gary. “Dark Horse Throws Benefit Banquet at CA Chapel,” Florida Flambeau, Tallahassee, September 25, 1986, p.13.
“Florida Native Art on Display at OWCC,” Walton Sun, Santa Rosa Beach FL, December 14, 2002, illustrated.
Gallati, Carol Dayer. “American Art Today: Night Paintings,” The Art Museum at Florida International University, Miami, January 13-February 18,

     1995, exhibition catalogue, illustrated.
________. “Galleries,” The New Yorker, New York, July 28, 1997.
Gladstone, Valerie. “Studio: Greetings from Toxic Paradise,” Artnews, New York, April 1999, pp. 81-82, illustrated.
________. “Reviews: Adam Straus” Artnews, New York, May 2003, illustrated.
________. “Reviews: Adam Straus” Artnews, New York, May 2008, pp. 150-151, illustrated.

Gleeson, Bridget. “In Ominous Snapshots of the Natural World, Adam Straus Subverts the Landscape Painting Tradition,” Artsy,

     January 10, 2017, 12:30am.
     https://www.artsy.net/article/artsy-in-ominous-snapshots-natural-world-adam-straus-subverts-andscape-painting-traditionGoodman, Jonathan. “Politics, American Style at Beacon Hill Fine Art,” Art in America, New York, December, 1996.
Gordon, L.A.  “Out and About,” The New York Sun, New York, February 25, 2005.
Graber, Gilles. “Du Paradis au Paradoxe,” La Marseillaise, Marseilles, September 9, 2002, p. 25, illustrated.
Grau, Jane. “Paintings Find Depth in Cultural Shallows,” The Charlotte Observer, Charlotte, January 30, 2000, p. 1F, illustrated.
Great American Writers, Tarrytown, Marshall Cavendish, 2002, volume 7, reproductions in color, pp. 902-7.
Hassold, Cris. “Adam Straus at Jaffe Baker Blau”, Art Papers, Atlanta, March-April 1995.
________. “New York Realism - Past and Present,” Art Papers, Atlanta, April-May 1995.
Hinson, Mark. “Adam bomb,” Tallahassee Democrat, Tallahassee, May 16, 1999, pp. 1D & 3D, illustrated.
Jordan, Courtney. “Paint to Preserve the Scenery You Love,” ArtDaily.com, September 9, 2010.
     http://www.artistdaily.com/blogs/artistdaily/archive/2010/09/09/paint-to-preserve-the-scenery-you-love.aspx
Kohen, Helen L. “Mother-Son Duo Offers Thoughtful Show,” The Miami Herald, Miami, June 7 1985, p. 12C.
________. ”Review,” The Miami Herald, Miami, March 31, 1989.
Korotkin, Joyce. “Adam Straus - Nohra Haime Gallery,” Cover, New York, December 4, 1998, vol. 12, #6, p. 43.
________. “Adam Straus Interview,” The New York Art World, New York, October 2000, pp. 16-17, illustrated.
________. “Andrew Castrucci /Generous Miracles,” The New York Art World, New York, June-July/August 1999, vol. 3, No. 10.
________. Double Indemnity: The Self Unmasked. Newark, NJ: City Without Walls, March – April 1994, exhibition catalogue.
Kuspit, Donald. “Adam Straus .Nohra Haime Gallery,” Artforum, New York, May, 2003, p. 172, illustrated.
“La beauté: toujours au-delà,”  Informations, Marseilles, September 2002, illustrated.
Leddy, Siobhan. “Time After Time,” Reallifemag.com, October 4, 2017, Cover image.

     http://reallifemag.com/time-after-time/

“Les Mots de Passe: Lexique Inattendu pour Decouvrir la FIAC 2000,” Le Quotidien/001, Paris, October 25, 2000, illustrated.
Lucie-Smith, Edward. Art Tomorrow, London, Vilo International, 2002, illustrated.
Lugara, Joe. “Landscape Exhibit Offers Intriguing View of the Lay of the Land,” Summit Observer, Union County, Summer, April 27, 2000, p. B5.
Lujambio, Mariana. “Los Diez Años de Nohra Haime en Nueva York,” Casas & Gente, Mexico, May 1994, pp. 67-69, illustrated.
Lurie, Sheldon M. Straus & Straus. Miami, FL: Frances Wolfson Art Gallery, Miami-Dade Community College, 1985, exhibition catalogue.
Macinnis, Brendon. “Artist Talk: Adam Straus,” The M Magazine, Winter 2016, pp. 36-37, illustrated.
Maxwell, Douglas. “Adam Straus Retrospective at Nohra Haime and Adelson Galleries,” Max-Art, December 28, 2016.

     http://max-art.tumblr.com

________. Apocalypse and Resurrection. New York: The Gallery Three Zero, 1992, exhibition catalogue for Amfar benefit.
________. Flora. Elise Goodheart Fine Arts, Sag Harbor, NY, July - August 16, 1998, exhibition catalogue, illustrated.
________. “Introduction,” Ethereal and Material, Wilmington, DE, Delaware Center for the Arts, September 21- November 21, 2000,

     exhibition catalogue, illustrated.
________. Landscape Not Landscape. Boca Raton, FL: Gallery Camino Real, March 1994, exhibition catalogue.
McCoy, Jason. “Group Show,” Artnet.com, Reviews, June-July, 1997.
McCutchan, Ann. “Enjoy the View: American Landscapes Roam the Continent,” Art & Antiques, New York, Summer 1997.
McQuaid, Cate. “‘The Body Politic is More Than Just Politics,” The Boston Phoenix, Boston, MA, October23, 1992, p. 6.
Merle, Patrick. “Adam Straus au ‘Paradis’,” La Provence, Marseilles, September 17, 2002, illustrated.
Miller, Donald. “Straus’ Landscapes Beautiful Distubing,” Naples Daily News, Naples, February 13, 2004.
Murphy, Jay. “Review,” Artpapers, Atlanta, Sept/Oct 1985, vol. 9, no. 5.
________. “Review,” Artpapers, Atlanta, July 12, 1989.
“New exhibitions at OWCC Arts Center,” Beach Breeze, Miami, December 12, 2002.
O’Hern, John D. Re-Presenting Representation. Elmira: Arnot Art Museum, October 10, 1997- January 11, 1998, exhibition catalogue,

     illustrated.
Orsoni, Celine. “FIAC 95: A Nous les Galeries Anglaises,”Le Nouveau Dimanche, Paris, October 1, 1995, p. 13.
“OWCC Announces Exhibition,” Destin Log, Destin, December 21, 2002.
“OWCC Art Galleries to Exhibit Works by Three Featured Artists,” Bay Beacon, Valparaiso, December 21, 2002, illustrated.
“OWCC Galleries,” Daily News, Fort Walton Beach, January 10, 2003, illustrated.
“OWCC Presents Art Reflective of the Environment,” Destin Log, Destin, January 11, 2003.
Pollack, Barbara. “Reviews New York: Adam Straus,” ARTnews, January 2012, p. 109, illustrated.
Rivero Lake, Marcela A. y M.de. “Los Efectos del Tabaco en el Año del Cochino,” Casas & Gente, Mexico, vol. 11, No.109, 1996, p.10,

     illustrated.
Rogers, Pat. “For This Painter, Landscapes Go Beyond the Merely Beautiful,” The East Hampton Press, June 22, 2010, illustrated.
     http://www.27east.com/story_detail.cfm?id=285368&town=&page=2
Rosendorf, David. “Objects of Presence,” Artpapers, Atlanta, Nov/Dec 1988, vol.12, no. 6.
Sal. “Basel Week Miami ’15 / Recap: PULSE,” arrestedmotion.com, December 6, 2015.
     http://arrestedmotion.com/2015/12/basel-week-miami-15-recap-pulse/?images=1
Schneider, Michael. “Visual Culture and Environmental Sustainability in the work of Bastidas and Straus Didactic Reminders,” Cogen, Vol. 1,

     July 2003.  www.publicnature.com/co-gen/7.html
Selby, Roger L. Objects of Presence. Boca Raton, FL: Boca Raton Museum of Art, 1988, exhibition catalogue.
Shinn, Dorothy. “Artist attacks pollution and waste in paintings,” Akron Beacon Journal, Akron, Sunday, July 3, 2005, p. E3, illustrated.
Spalding, Jill. “Interview with Adam Straus,” WPS1, May 16, 2005, radio broadcast,
     http://www.wps1.org/search/search.cgi?q=adam%20straus.
Spring, Justin. “Adam Straus/Nohra Haime Gallery,” Artforum, New York, March 1992, p. 109, illustrated.
Steiner, Raymond J., “Adam Straus at Nohra Haime Gallery,” Art Times, Mount Marion, April 2003, p. 3, illustrated in black and white.
Stewart Dishman, Laura. “Art works in ‘Artists 3,’” The Orlando Sentinel, Orlando, September 26, 1988, pp. C1- 2, illustrated.
________. “Behind Sculptor’s Brooding Art, Beats a Clearly Hopeful Heart,” The Orlando Sentinel, Orlando, August 23 1986, illustrated.
________. “Quality Gets Lost in a Crowd,” The Orlando Sentinel, Orlando, May 30, 1988, pp. C1-2.
Stobie, Erin. “Miami Art Week,” Outlet Mag, December 8, 2015.
     http://outletmag.co/miami-art-week
Straus, Adam and Amei Wallach. Adam Straus. Nohra Haime Gallery Editions, New York, published by Gli Ori, Italy, November 2016.

Taylor, Kristin. “Review: Two New Exhibits Open at the VAC,” The Davidsonian, Davidson, February 3, 2000, p.3.
Tefs, Regina Newton. “Toxic Paradise is…beautiful?” Naples Sun Times, Naples, Feb 25-March 2, 2004, Vol. I, Issue 22, p.12.
Thompson, Seth. “Adam Straus: In the Shadow of Paradise,” Angle, 2005.
     http://www.anglemagazine.org/articles/Adam_Straus_In_the_Shadow_of_2385.asp
Turner, Elisa. “Art Works in Artists 3,” The Orlando Sentinel, Orlando, September 26, 1988.
________. “Review,” Artnews, New York, January 1991, p. 168.
________. “Review,” The Miami Herald, Miami, May 14, 1987, p. 7C, illustrated.
Watkins, Eileen. “Newark Exhibition Explores Mysteries of Inner Self Interacting with Outer World,” The Sunday Star-Ledger, Newark,

     April 17, 1994.

Webster, Andrew. “The Work of Adam Straus,” Fine Art Connoisseur, November 10, 2016.
     http://fineartconnoisseur.com/2016/11/the-work-of-adam-straus/
Wirth, Sabrina. “Adam Straus: Shared Earth,” artWIRTH (blog), February 24, 2016.
      https://artwirth.com/2016/02/24/adam-straus-shared-earth/

Wright, Jeff. “Adam Straus/Nohra Haime Gallery,” Cover, New York, November 1993, p.15, illustrated.
Young, Dede and Douglas Maxwell. Destiny Manifest: American Landscape Painting in the Nineties, Harn Museum of Art, University of Florida,

     Gainesville, Nov 24, 1996-March 31, 1997, exhibition catalogue,illustrated.
________. Ethereal and Material, Wilmington, DE, Delaware Center for the Arts, September 21-November 21, 2000, exhibition catalogue,

     illustrated.

© Adam Straus 2018